恩雅以及她音乐神话的开始_娱乐Entertainment
enya： it was very difficult for me not to be involved with music,because both my parents were very musical.my dad, when he was 14,joined with his mum and dad,and he toued around ireland.my mum was a music teacher .my dad’s music would be a very sort of variation of ballads,irish ballads,to glenn iner-type of hits that were happening at the time.and then the area i come from know as the gaeitacht area,the northwest of donegal,means that you’re brought up speaking gaelic as your first language within that area.and there is a lot of irish traditional music within that area as well so i felt feally lucky that i heard all sorts of diverse music at a very young age.i wasn’t aware of it,but i definitely was very determined to be involved with music.there are three people that,you know,are involved to: myself, nicky and roma.
roma：we started working together,i suppose about 1982.and when we made the decision,"ok,we want to do this,"we put together a studio.
nicky： the free time i had enya had that time.enya was living in our house and she started ,a11 these melodies started to come out,so we got to gether whenever we could,and then roma started to write lyrics.
roma：at the time i said to enya and nicolas,‘the music is visual .why don’t think about soundtrick initially?"
enya： i started to compose piano melodies,instrumentals,and roma found them very viual and thought they’d be suited for film work ,and found then very visual and thought they’d be suited for film work and got in touch with film directors and film producers.and then got a script sent from david puttnam for the frog prince.
david puttnam：something about the story reminded me of enya and enya’s music,and i sent it to then,roma and enya and they liked it a lot.and we worked,i think 6 months,they worked 6 months on the score of the film and dlivered what i think is an absolutely gorgeous score,beautiful score.
enya： and that was the beginning of working with soundtrack we heard they were making a bbc documentary on the celts,so we thought this was perfect.
nicky：we were woking on a particular piece of music at the time.and we’d actually titled it the match of the celts.
roma：to me,an inspiration was historic,was irish.you were relating to the story of the celts.
nicky：and i got a phone ca11from tonymacauley,whois a producer from the bbc in northern ireland asking us,would we work on this new series called the celts.i couldn’t believe it .it’s really was an amazing coincidence.so he said,"do you have any music that you can send us down?"so i sent him down just a piece.and the director got back to us and said, "we could have the whole series… 72minutes of music to do."and that’s how the first album happened.
roma：we started working together,i suppose about 1982.and when we made the decision,"ok,we want to do this,"we put together a studio.
nicky： the free time i had enya had that time.enya was living in our house and she started ,a11 these melodies started to come out,so we got to gether whenever we could,and then roma started to write lyrics.
roma：at the time i said to enya and nicolas,‘the music is visual .why don’t think about soundtrick initially?"
enya： i started to compose piano melodies,instrumentals,and roma found them very viual and thought they’d be suited for film work ,and found then very visual and thought they’d be suited for film work and got in touch with film directors and film producers.and then got a script sent from david puttnam for the frog prince.
david puttnam：something about the story reminded me of enya and enya’s music,and i sent it to then,roma and enya and they liked it a lot.and we worked,i think 6 months,they worked 6 months on the score of the film and dlivered what i think is an absolutely gorgeous score,beautiful score.
enya： and that was the beginning of working with soundtrack we heard they were making a bbc documentary on the celts,so we thought this was perfect.
nicky：we were woking on a particular piece of music at the time.and we’d actually titled it the match of the celts.
roma：to me,an inspiration was historic,was irish.you were relating to the story of the celts.
nicky：and i got a phone ca11from tonymacauley,whois a producer from the bbc in northern ireland asking us,would we work on this new series called the celts.i couldn’t believe it .it’s really was an amazing coincidence.so he said,"do you have any music that you can send us down?"so i sent him down just a piece.and the director got back to us and said, "we could have the whole series… 72minutes of music to do."and that’s how the first album happened.